Vienna State Opera 10 December 2022 - Die Zauberflöte | GoComGo.com

Die Zauberflöte

Vienna State Opera, Vienna, Austria
All photos (13)
Saturday 10 December 2022

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Overview

Die Zauberflöte is one of the most whimsical works in musical history: a mixture of Viennese Vorstadt Theatre, Masonic symbolism, popular myths and all kinds of fairytales. Over the course of the opera, Prince Tamino faces a quest: if he proves his worth, he will win Pamina’s hand. In the current production, a mature, rationalistic life philosophy is juxtaposed with rampant emotionality, and so, tells a tale of coming of age.

The young prince Tamino is pursued by a dangerous serpent. At the very last moment, three mysterious ladies rescue the unconscious Tamino and kill the beast. When Tamino awakens, he meets Papageno. The three ladies show Tamino a portrait of Pamina, daughter of the Queen of the Night. The prince falls in love with the picture and swears to the Queen that he will free Pamina from the clutches of Sarastro, who has abducted her. He sets off on his journey with Papageno at his side: Tamino receives a magic flute to help him, while Papageno is given a set of magic bells.

Papageno, who has been sent on ahead by Tamino, finds Pamina being harried by the slave Monostatos. Papageno causes Monostatos to flee, and wins Pamina on behalf of Tamino. But as they try to escape, they are overtaken by Sarastro and his retinue. 

In the second part of the opera, Tamino recognises the benevolence and spiritual superiority of Sarastro, and changes sides. But in order to become a full member of the priesthood, he has to undergo - together with Papageno - a number of challenging ordeals. Tamino masters all the trials in exemplary fashion, and his reward is to take Sarastro’s place as high priest and marry Pamina. Papageno is not as successful with his trials, but is still rewarded with a partner - Papagena - who is a perfect match for him. The power-hungry Queen and her followers are defeated.

History
Premiere of this production: 30 September 1791, Theater auf der Wieden, Vienna

The Magic Flute (German: Die Zauberflöte) is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Top of page