New National Theatre Tokyo tickets 22 May 2024 - La Traviata | GoComGo.com

La Traviata

New National Theatre Tokyo, Tokyo, Japan
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2 PM
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US$ 172

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Tokyo, Japan
Starts at: 14:00
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: Italian
Titles in: English,Japanese

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Eri Nakamura (Violetta Valéry)
Conductor: Francesco Lanzillotta
Baritone: Gustavo Castillo (Giorgio Germont)
Chorus: New National Theatre Chorus
Tenor: Riccardo Della Sciucca (Alfredo Germont)
Orchestra: Tokyo Symphony Orchestra
Creators
Composer: Giuseppe Verdi
Author: Alexandre Dumas (fils)
Librettist: Francesco Maria Piave
Director: Vincent Boussard
Overview

After stepping in at the last moment to perform as Violetta in 2022 to great acclaim, Nakamura Eri returns to this high-profile role. Riccardo Della Sciucca, a rising Italian star, will perform as Alfredo.After stepping in at the last moment to perform as Violetta in 2022 to great acclaim, Nakamura Eri returns to this high-profile role. Riccardo Della Sciucca, a rising Italian star, will perform as Alfredo.

"La traviata" is set in the world of Parisian high society. This popular opera tells the story of the courtesan, Violetta Valéry: her loves and her sad fate. It is based on the dramatic adaptation of the romantic novel, "La Dame aux Camélias" by Alexandre DUMAS fils, modeled by the author on the high-class mistress, Marie Duplessis. Giuseppe VERDI then took the story, making its heroine a contemporary woman, and writing an innovative opera in which he raised the role of the music itself to that of expressing the story's emotions. Starting with "Libiamo ne' lieti calici", which has become a well-known, staple tune of gala concerts, the work features numerous other famous songs, such as Violetta's most technically demanding aria, "Ah, fors'è lui-sempre libera", in the prelude foretelling tragedy, and Germont's "Di Provenza il mar, il suol".

The director, Vincent BOUSSARD, is noted for sophisticated staging with an unerring eye for colour. His production of "La traviata" (first staged in 2015) displays that aesthetic sensibility. At the same time, he effectively holds up a mirror on the world to paint an imagined landscape, taking the theme of a woman's fate in the world of men. Upon curtain fall, we are left with the vivid picture of a woman who has lived her life with unwavering pride.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Violetta, a courtesan in Paris, opens her heart to Alfredo, a son of a wealthy man, though she is hesitant to accept his sincere courtship. They begin to enjoy each other’s company living together in the suburbs of the city.
One day during Alfredo’s absence, his father Germont calls on Violetta to ask her to give up his son so that marriage arrangements for his daughter will proceed smoothly. Violetta decides to abandon her love and leaves Alfredo. After her return to Paris, Alfredo appears in front of her and accuses her of her betrayal in the presence of other people.
Time passes, but it is too late when all misunderstandings have come to light. Sick in bed, Violetta dies as she is embraced by the love of Alfredo, who asks for her pardon.

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

New National Theatre Tokyo - Tokyo
Location   1 Chome-1-1 Honmachi, Shibuya City

The New National Theatre, Tokyo (NNTT) is Japan's first and foremost national centre for the performing arts, including opera, ballet, contemporary dance and drama. Since 1997 more than 650 productions were staged. There are about 300 performances per season with approximately 200,000 theatergoers. The centre has been praised for its architecture and state-of-the-art modern theatre facilities, which are considered among the best in the world.

The construction of the NNTT was completed in February 1997. Its first public performances took place in October of that year. The Tokyo Opera City Tower is connected to the theatre. It has concert halls, an art gallery, a media-art museum, office space, many restaurants and shops. The combined complex of the skyscraper tower and the theatre is called the "Tokyo Opera City".

Besides the public performances, various enterprises are undertaken, such as the young artist training programs (for ballet, opera, and theatre), theatre rental for other performing arts groups, performing arts-related exhibitions, public usage of its video library and book library, public performances for children and young students, backstage tours, and most importantly, international exchanges for performing arts events, etc. Moreover, The Stage Set & Design Centre (located in Choshi city, Chiba Prefecture), stores and exhibits previously-used stage scenery and costumes.

Important Info
Type: Opera
City: Tokyo, Japan
Starts at: 14:00
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: Italian
Titles in: English,Japanese
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