Metropolitan Opera tickets 16 May 2024 - Orfeo ed Euridice | GoComGo.com

Orfeo ed Euridice

Metropolitan Opera, New York, USA
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Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 1
Duration: 1h 30min
Sung in: Italian
Titles in: English,German,Spanish,Italian
Cast
Performers
Countertenor: Anthony Roth Costanzo (Orfeo)
Conductor: Christian Curnyn
Soprano: Elena Villalón (Amore)
Orchestra: The Met Orchestra
Chorus: The Metropolitan Opera Chorus
Soprano: Ying Fang (Euridice)
Creators
Composer: Christoph Willibald Gluck
Choreographer: Mark Morris
Sets: Allen Moyer
Costume designer: Isaac Mizrahi
Lighting Designer: James F. Ingalls
Director: Mark Morris
Librettist: Ranieri de Calzabigi
Overview

Last seen at the Met in the title role of Philip Glass’s Akhnaten, countertenor Anthony Roth Costanzo stars as the mythic hero who ventures into the Underworld to rescue his beloved Euridice. Soprano Ying Fang is his ill-fated bride, with soprano Elena Villalón in her company debut as Amore, the god of love who sets Orfeo on his quest. Christian Curnyn makes his Met debut conducting Gluck’s sublime setting of the ancient tale, enlivened by exuberant choreography from the legendary Mark Morris and featuring members of his renowned dance group.

Premiere: Court Theatre (Burgtheater), Vienna, 1762. The myth of the musician Orpheus—who travels to the underworld to retrieve his dead wife, Eurydice—probes the deepest questions of desire, grief, and the power (and limits) of art. Gluck turned to this legend as the basis for a work as they were developing their ideas for a new kind of opera. Disillusioned with the inflexible forms of the genre as they existed at the time, the composer sought to reform the operatic stage with a visionary and seamless union of music, poetry, and dance.

The opera is set in an idealized Greek countryside and in the mythological underworld. These settings are more conceptual than geographic, and notions of how they should appear can (and rightly do) change in every era.

Christoph Willibald Gluck (1714–87) was born in Bavaria and studied music in Milan. He traveled extensively throughout Europe, attracting students and disciples to his philosophy of an all-encompassing operatic-theatrical experience. His librettist for Orfeo ed Euridice was the remarkable Italian poet Ranieri de’Calzabigi (1714–95). Thanks to many years spent in Paris, he had been influenced by French drama and shared Gluck’s zeal for an ideal musical theater.

Gluck consciously avoided the sheer vocal fireworks that he felt had compromised the drama of opera during the era of the castrati—male singers who had been surgically altered before puberty to preserve their high voices. He did not originally dispense with castrati, but the castrato role of Orfeo (today sung by mezzo-sopranos and countertenors) was given an opportunity to impress through musical and dramatic refinement rather than vocal pyrotechnics.

History
Premiere of this production: 05 October 1762, Burgtheater in Vienna

Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 1
Duration: 1h 30min
Sung in: Italian
Titles in: English,German,Spanish,Italian
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