Boston Opera House tickets 31 May 2024 - Come from Away | GoComGo.com

Come from Away

Boston Opera House, Boston, USA
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8 PM
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US$ 175

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Musical
City: Boston, USA
Starts at: 20:00
Duration: 1h 40min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Creators
Composer: David Hein
Composer: Irene Sankoff
Overview

The true story of the small town that welcomed the world. Broadway’s COME FROM AWAY has won Best Musical all across North America!

The New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.

Don’t miss this breathtaking new musical written by Tony nominees Irene Sankoff and David Hein, and helmed by this year’s Tony Award-winning Best Director, Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!”

On 9/11, the world stopped. On 9/12, their stories moved us all.

"It takes you to a place you never want to leave!"
- Newsweek

"A celebration of the best of humankind."
- The Daily Beast

History

Come from Away is a Canadian musical with book, music and lyrics by Irene Sankoff and David Hein. It is set in the week following the September 11 attacks and tells the true story of what transpired when 38 planes were ordered to land unexpectedly in the small town of Gander in the province of Newfoundland and Labrador, Canada, as part of Operation Yellow Ribbon. The characters in the musical are based on (and in most cases share the names of) real Gander residents as well as some of the 7,000 stranded travelers they housed and fed.

Synopsis

On the morning of September 11, 2001, the townsfolk of Gander (including Claude the mayor, Oz the police constable, Beulah the teacher, Bonnie the SPCA worker and others) describe life in Newfoundland and how they learn of the terrorist attacks taking place in New York City, Washington, D.C., and Shanksville, Pennsylvania ("Welcome to the Rock").

The attacks result in US airspace being closed, forcing 38 international aircraft to be diverted and land unexpectedly at the Gander airport, doubling the population of the small Newfoundland town, which is unequipped for the influx of stranded travelers ("38 Planes"). The Gander townspeople spring to action and prepare to house, feed, clothe, and comfort the nearly 7,000 passengers (along with 19 animals in cargo) ("Blankets and Bedding"). Meanwhile, the pilots, flight attendants and passengers are initially not permitted to leave the planes, forcing them to deal with confusing and conflicting information about what has happened and why they were suddenly grounded ("28 Hours / Wherever We Are").

Once allowed off the planes and transferred to various emergency shelters in and around Gander ("Darkness and Trees"), the passengers and crew watch replays of the attacks on the news and learn the true reason why they were grounded ("Lead Us Out of the Night"). The frightened and lonely passengers desperately try to contact their families and pray for their loved ones, while the townsfolk work through the night to help them in any and every way they can ("Phoning Home / Costume Party"). The travelers are initially taken aback by their hosts' uncommon hospitality, but they slowly let their guards down and begin to bond with the quirky townsfolk and each other. The "islanders" in Gander and the surrounding towns open up their homes to the "plane people", regardless of their guests' race, nationality or sexual orientation. Two women, Beulah (from Gander) and Hannah (from New York), bond over the fact that both of their sons are firefighters, but Hannah's son is missing ("I Am Here"). Hannah asks Beulah to take her to a Catholic church, and a number of characters make their way to other houses of worship around town ("Prayer").

To alleviate rising fear and mounting tensions ("On The Edge"), the passengers are invited to be initiated as honorary Newfoundlanders at the local bar ("Heave Away / Screech In"). The gravity of the attacks nevertheless continues to set in as US airspace is eventually reopened. One trailblazing pilot, Beverley Bass, comments on how her once optimistic view of the world has suddenly changed ("Me and the Sky"). While one pair of passengers starts to develop a romance despite the terrible thing that brought them together ("Stop the World"), another pair sees their long-term relationship fall apart under the stress of the event.

As the passengers and crew fly away to their homes, they joyously exchange stories of the immense kindness and generosity that was shown to them by the Newfoundland strangers in their time of need ("Somewhere in the Middle of Nowhere"), but not before a Muslim traveler, faced with increasing prejudice from his fellow passengers, undergoes a humiliating strip search prior to boarding. The townsfolk in Gander return to normal life, but comment on how empty their town now seems and how different the world now feels. The passengers and airline staff who return to the United States are faced with the horror of the attacks' aftermath—including Hannah, who learns that her firefighter son lost his life during the rescue efforts ("Something's Missing").

Ten years later, the crew and passengers (the "come from away") of the once stranded planes reunite in Gander, this time by choice, to celebrate the lifelong friendships and strong connections they formed in spite of the terrorist attacks ("Finale"). As Claude the mayor professes, "Tonight we honour what was lost, but we also commemorate what we found."

Venue Info

Boston Opera House - Boston
Location   539 Washington St

The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. The theater serves as the home arena of the Boston Uprising of the Overwatch League.

The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. It was dedicated to the vaudeville pioneer B.F. Keith. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater. The theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. It became known as RKO Keith's, and bore signage that said both "B.F. Keith's" and "RKO Keith's" (see the 1938 photo shown at right).

In 1965 the Sack Theaters company acquired the theater and renamed it the Savoy Theater. Sack later added a second smaller cinema in the theater's stage space, separated from the original auditorium by a masonry wall built across the proscenium.

In 1980, after closing as a movie house, the theater became the home of opera director Sarah Caldwell's Opera Company of Boston and was renamed the Boston Opera House. The theater was acquired and renovated by the opera company with the help of Boston arts patron Susan Timken. After a decade of opera productions at the house, Caldwell's company collapsed due to financial troubles in 1991. Having previously produced opera since 1958 in rented theaters, the company was not financially prepared to cope with the substantial costs of upkeep for the large theater which had previously been poorly maintained for decades. The company's failure left the theater dark and without funds to maintain it.

Unheated, the building fell prey to extensive water damage, severely damaging the electrical system and the decorative plaster interior of the auditorium. The company's costumes, collected for decades and stored under the damaged roof, were lost. In 1996, the former opera company relinquished ownership of the building.

Mayor Thomas Menino, with the aid of Senator Edward Kennedy (whose father, Joseph, was the first owner), helped to get the theater landmark status in 1999 through the Boston Landmarks Commission. After a series of failed or delayed development proposals, the Clear Channel Company agreed to renovate the theater. The need to enlarge the trapezoidal stage house into the street between buildings provoked a multi-year court fight with the neighboring Tremont on the Commons condominium building, whose concerns with fire safety were eventually overcome with the persuasion of Mayor Menino.

The Boston opera community welcomed the efforts of Mayor Menino and Clear Channel to refurbish the Opera House and the damaged interior was restored in a $38 million renovation. It reopened on July 16, 2004, with the Broadway production of The Lion King. Clear Channel kept the historic theater busy and active with long runs of touring Broadway musicals and pop concerts. While its agreement with city included a clause that opera be produced at least two weeks a year, no opera company has yet returned to make the Opera House its home.

The current owner of the theater is Boston Opera House Ventures, LLC, a partnership of local Boston businessmen Don Law and David Mugar. Its primary tenants are Broadway Across America, Boston Uprising and the Boston Ballet. Home to Boston Ballet's annual production of The Nutcracker since 2005, the theater became the company's permanent home in 2009.

Important Info
Type: Musical
City: Boston, USA
Starts at: 20:00
Duration: 1h 40min
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